Gelatina Magma, from pop to poetry

Scésar Gecé/ July 31, 2019/ Sin categoría

On the long road from my house to La Victoria I was recording and combining in my ears and mind a series of different sounds, disparate that when assimilated gave me layers and layers of rhythms, emotions and expressions, these sounds so common in the streets of Abancay, its

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Ravelers and the trips of a tribe

Scésar Gecé/ July 17, 2019/ Sin categoría

On February 1, the Ravelers celebrated the anniversary of their self-titled album at MALI, a show that we did not want to miss because of the performative and musical proposal that this band presents. In fact, the album was celebrated as the best of 2017 according to the newspaper

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CROP Lima (a short introduction)

Scésar Gecé/ March 27, 2019/ Sin categoría

I was curious about the participants of an audiovisual show in Cuzco where I also participated, I searched for Chuzkos Lab Creativo and when I visited their Facebook page I saw a post that called for “co-creating independent projects” back in May of last year. In August we began

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Mario César, Strokes in a Notebook

Scésar Gecé/ February 20, 2019/ Sin categoría

Random scenes of everyday, of what you find on the streets. Notebook (Cuaderno de Notas in spanish, Mario César Castro, 2018) is an observation —or poetry— of the city, of what happens and we can not see it with certain clarity. Mario César’s film expresses freedom. The images fluctuate,

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Kill The Zine, Fanzine or die

Jhoselin Castillo/ December 20, 2018/ Fanzine

Kill The Zine, is a countercultural fanzine that has already 3 years in the independent market, started in August 2015 and has not stopped until now. It’s dedicated to the diffusion of bands, of music, of movies and, apparently to what they enter without fear: politic. I met Juan

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Respiro, a movie hacking by its own director

Scésar Gecé/ November 14, 2018/ Movies

Chronicle behind the camera of how the idea of Respiro and self-hacking was born. After one of the screens that Respiro had, I was able to maintain contact with Romero Silvano. So, what’s next for the movie, I asked him repeatedly. She did not know that, so I suggested

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A mic plus pedalboard and poetry, iqual Bruno.50

Scésar Gecé/ November 8, 2018/ Music

A film was going to be presented in Espacio Plataforma, but Bruno.50 did it before. I was on the poster as an experimental rap. Maybe that sign is not completely accurate, although it did have things that attracted attention: loops, effects on the voice and its performance. I recorded

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